Unlock Your Creativity with Gelli Printing Workshops

Gelli plate equipment

Explore Gelli Printing

If you’ve ever wanted to explore printmaking in a fun and approachable way, attending a Gelli print workshop is the perfect opportunity to let your creativity flow. Whether you’re a complete beginner or an experienced artist looking to add a new dimension to your studio practice, Gelli printing offers a versatile and rewarding way to create unique, layered artwork. 

So, let’s talk about what can you expect from a Gelli print workshop, and the benefits that experimenting with this medium can bring to your creative practise.

A Warm and Welcoming Environment

I recently ran a Gelli Print workshop in a local café, collaborating with the owner who provided delicious food. If you are looking for an experience as well as learning a new technique then I suggest you look for a workshop that offers more than just the practical lessons. Find one that welcomes you with a hot drink or perhaps lunch is included with the workshop. This gives you a chance to chat to other creatives, sharing ideas, or just have a catch up. This will set a relaxed tone for the day. A friendly and supportive environment will help you feel at ease and ready to experiment.

What to Expect – An Introduction to the Basics

At the start of the workshop, you will usually receive a demonstration of basic Gelli print techniques. It is important to get confident with the basics, learn how to apply paint to the Gelli plate, blend colours, and use simple techniques to create stunning patterns. My biggest tip is less is more, in the workshops I have led students tend to put way too much paint on the plate, they soon learn that a very thin layer will produce intriguing results. An introduction to the basics will ensure you feel confident before you begin your own creative exploration.

Using botanicals as inspiration is super accessible and will produce some fabulous and often unexpected results. Just pick some leaves on your way to the workshop from your garden or hedgerow. Try using leaves, flowers, and natural materials to create intricate and organic prints. You’ll discover how to layer these elements and explore textures to bring your prints to life.

hands-on experimentation

The true joy of Gelli printing lies in the hands-on experience. Just roll up your sleeves and start creating your own prints using a variety of papers, botanicals, and techniques. Don’t worry about making mistakes — the fun is in the experimentations. Embrace the unexpected results that make each print unique. In the images below you will see the use of a mask to generate a negative and positive print.

benefits of gelli printing

            1.         No Pressure, Just Play: Gelli printing encourages a playful and experimental mindset, helping to overcome creative blocks and fear of making mistakes.

            2.         Immediate Results: Unlike many art forms, Gelli printing offers instant gratification. You’ll see your ideas come to life within minutes.

            3.         Mindfulness and Relaxation: The process of rolling paint, pressing leaves, and peeling paper away can be incredibly therapeutic and stress-relieving.

            4.         Unique and One-of-a-Kind: Each print you create is a monoprint, meaning it’s one-of-a-kind — no two prints are ever exactly the same.

            5.         Applicable to Other Projects: The skills you learn can be used in other creative areas like mixed media, card-making, and collage art.

A Gelli print workshop is more than just learning a new skill — it’s about discovering the joy of creativity, embracing the unexpected, and taking time for yourself.  Let me know how you use a Gelli Plate in your studio practise.

Three things you should know when deciding to Show At an Art Fair

How do you know if an Art Fair is the right place to show your work? For any artist, this can be a big decision as there is a lot of preparation, time, and financial cost involved. 

Picture showing banner for art fair outside Landmark Arts Centre in Teddington

The three most important things to consider are research, affordability & practicality.

Let’s cover the basics first, location, date, and costs.

Where is the fair? Is it close to where you are based? Will you need to pay for accommodation, food, transport, and parking?

Are you available for the dates of the fair? Will you be able to finish and frame the work to meet the deadlines of the fair, including labels and pricing?

Do you know any artists who have exhibited at the fair in the last year? Consider reaching out to them and asking them what they thought. Can you get hold of a previous catalog or list of artists and check them out? Prioritise investigating who is organizing the event. Check if there have been any changes to the management. 

Do you know any people who visited the fair as customers? What did they think? Did they buy any art? Was it easy to buy art? Did it feel spacious or were the artists crammed in? Was there a generally good vibe and buzz at the event? Were people leaving with paintings?

Can you find out what the footfall of the last fair was or the expected footfall for this year? Are there any reports of the previous year’s sales numbers? Remember not to compare yourself to other artists. Making sales is not the only goal. However, being armed with background facts on this topic is an advantage.

What is the process for sales? Are the artists responsible for packing or is there a packing facility managed by the event organizers?

What sort of publicity and marketing is on offer? Is there a social media presence? What excitement is being created for the event? Are there signposts in the local vicinity directing visitors to the event?

Is there plenty of parking for visitors and are the transport networks good?

Recently a friend did an art fair in Central London where there was no parking during the week, so she had to pay for a courier to deliver her work, meet them at a specific time and then hang her work in an allocated one-hour slot, this all needs to be taken into account as it can impact your costs.

Do you have time to attend the fair, so you can see for yourself if your work would fit, what the visitors are like, what the set-up is like, is there a buzz at the fair? Are sales being made? 

Is there an entrance fee for visitors? Is there an opening night? Does this include additional attractions of refreshments or music? 

Most important, the fair needs to be the right fit for you. Will you be able to meet the deadlines, cover the costs, deal with the logistics, and feel comfortable talking about your work in this environment, being in a busy hall with lots of other artists and possibly Galleries?


Checklist to help decide if an Art Fair is right for you.

  • Do some desktop research, research, research – do as much as you can
  • Check online to find a previous list of exhibitors, reach out to them and ask what was their experience?
  • Contact and speak to the organizers. Has anything changed in how the fair is managed since the last event?
  • Is it an established event?
  • What is the expected footfall, was this achieved last year?
  • What were the sales last year? 
  • Are there any online reviews from previous fairs
  • Check social media, does the fair have a good following? Is there regular marketing?
  • Visit the Fair – if this is possible it is well worth taking the time to visit the art fair in person. 
  • Is there good signage in the vicinity of the fair so visitors know where to find it? 
  • If you can attend the opening night or the private view. What kind of vibe was there?
  • How are the stands laid out in the venue?
  • Get a copy of the stand layout. Are there stands that are a bit out of the way or hidden? 
  • Be brave, talk to the artists exhibiting. Ask them if they have exhibited at that venue before. In my experience, they are always happy to share their knowledge.
  • How are the drop-off and hanging organized? Often you are allocated a specific time to drop off your work, does this work for you? Can you do it yourself or would you need to hire a courier (for example if the fair is in Central London)
  • Is there parking available for the duration of the Art Fair and if so what is the cost?
  • Where is the Art Fair, will you be able to commute daily or would you need to book accommodation, as this will be an additional cost.
  • Does the Art Fair organize the packing, is there a charge?
  • Is there a commission charged
  • What type of work is on display, would your work fit in and be shown to its absolute best?
  • What is the price range of work?
  • How do the stands look?
    • Is there good lighting?
    • Would you need any additional furniture?
    • A table to put a signup form on and display cards
    • A folding browser for unframed work
  • What is the cost of the stand?
  • Will you need accommodation?
  • What are the transportation Costs?
  • What are the parking Costs?
  • Are you available on the dates of the fair?

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